About 'Dream' 1 to 9
The copious trees are beautiful, and they are lethal; to be possessed or not to be. Because one cannot look back in possession or one can be lost in its absence. Life is unnecessarily sustainable in possession or unable to continue in its absence. On the horns of dilemma, embarrassing people have developed and created 'Art', in my poor idea. Anyhow, the copious trees are often shown too much. The world often reveals the 'overweights'. This means for me painting is a work to get the great amount off of the world. So then it is a work to compress the layers and dimensions of the world. The moderate compression could accomplish let light-and-shadow to be. What's more, it is an 'incantation'. And now I have noticed that my paintings entitled Dream, which are about the unclear and unintended senses at one point and so placed as 'gel' alike sensibility, are the light-and-shadow value of my paintings. This title might leave a will for my paintings to come. At all costs this text is not a 'content' of a thesis, but must be a way to indicate my works or at least explaining the indication. I find that it is actually impossible to entitle 'these' with 'words' as words happen to be too universal. World, which is ambiguous with multiplicity, superficially universal and amazingly shining, is shown only by the world itself.
Painting; which is unable to represent the world, but possibly entitle the world. Oh, if a painting at least can be a title itself then would be able to endure the embarrassment of life. No, entitling after titles shall allow the painting to live in between.

Following works were put on the <Geun Lin Si Suel Exhibition>. It is ought to find a suitable place to upload separately. Instead, these are listed together with the works from the solo exhibition.